The Lark

Anouilh's way, and Miss Hellman's, is to try to tell the story from two viewpoints. One of them is how we look at the tale now as a piece of history, with our knowledge of how the girl's blundering captors unwittingly created a martyr who became forever a symbol of courage and faith

The other viewpoint has been to try to imagine what it must have been like to be Joan herself. Both approaches to this legend of the Martyr of Rouen have been splendidly realized by the technique of divorcing the drama from the confinements of time, sequence and space

Until the last moment - a thrilling and uplifting one of Joan's greatest earthly triumph, the coronation of the worthless Dauphin for whom she fought - there is no scenery in the usual sense, merely a few levels of steps and platforms, and lights

With this freedom, the story of Joan of Arc can move backward or forward without an interruption, without a jar. It begins with Joan's trial, and her tale of the voices which prompted her one day to set forth and save France from the English

And as she tells her listeners - the cold Inquisitor from Spain, the politically cynical Earl of Warwick, the deeply religious but ineffectual Cauchon and all the others-of what she heard and what she did, her story comes ~ New York News

One of the outstanding hits on Broadway

" a memorable picture of a moment that is immortal in history and exalting on the stage" ~ NY Times

"simple, clear, timeless ring to it, and its directness is exhilarating" ~ New York Herald-Tribune